Narrating the sites of design: exploration, writing, emotion

The flagship store of Lanerossi in Milan hosts the presentation of the book I Luoghi del Design by Antonella Galli and Pierluigi Masini. Four hands, four eyes, two hearts (and two heads). Two straight lines that change direction and cross: 14 diaries for 14 destinations. 14 symbols of Italian design

Museo Ferruccio Lamborghini
Museo Ferruccio Lamborghini

The force of storytelling is a motor that cannot be overlooked. It is the energy that makes you climb on board a book, and when you disembark something has changed. Antonella Galli and Pierluigi Masini have not simply written a “book on design,” and they have not chosen an easy path, replicating already familiar scripts: they have entered 14 worlds and plunged deeply into them, getting swept away by the “here and now” without losing sight of literary goals.

Antonella Galli - Photo © Fabrizio Cicconi
Antonella Galli – Photo © Fabrizio Cicconi
Pierluigi Masini - Photo © Simone Cappelletti
Pierluigi Masini – Photo © Simone Cappelletti

Two very different styles (Antonella is a middle distance runner, Pierluigi a sprinter by nature), which combine in a very natural way. The almost total absence of superlatives makes for a balanced but fully engaged flow. The before of every story (profound, sentimental, authentic and genuine) and the after (a snapshot to hang in one’s own display case), the first and last pieces of an ideal puzzle.

Fondazione Magistretti, Milan - Photo © Matteo Carassale
One of the spaces at Fondazione Magistretti, Milano – Photo © Matteo Carassale
I luoghi del design by Antonella Galli & Pierluigi Masini - Baldini+Castoldi
“I luoghi del design”, Antonella Galli & Pierluigi Masini – Baldini+Castoldi

Reading these 14 diaries (seven each) is like a slow-motion slalom, like observing characters and places in a stop-action parade, relentlessly progressing to take in every angle, every gaze and memory.

Fondazione Achille Castiglioni - Photo © Annette Cheung, courtesy Fondazione Achille Castiglioni
Fondazione Achille Castiglioni, Milan – Photo © Annette Cheung, courtesy Fondazione Achille Castiglioni

The destinations are narrated by starting with a moment of “preparation,” almost a liturgy, because the gods of design (in this case Castiglioni and Magistretti) cannot be simplified with a mere trip through their spaces from the past; because the design museums (Triennale Milano, ADI and CSAC – a real discovery) should be treated with good manners; because today no one talks about the Hotel Parco dei Principi in Sorrento anymore (1961, the year zero of the modern era of hospitality); because companies (apologies to the others, but we have to mention the story of Lamborghini) should be examined with an eye on their hidden aspects. In short, because Antonella and Pierluigi tell the stories of these 14 worlds, calling their own perceptions into play.

Museo del Design Italiano, Triennale, Milan - Photo © Alessandro Saletta & Delfino Sisto Legnani - DSL Studio
Museo del Design Italiano, Triennale, Milan – Photo © Alessandro Saletta & Delfino Sisto Legnani – DSL Studio

Some may look askance at the Ode to Plastic dedicated to Kartell, and others may disagree with the approach to the MAXXI museum in Rome. But one of the great added values of these 300 pages lies in the force of the narration: a factor that is a problem for many companies, which always have to somehow repeat the same things (starting with the concept of “Made in Italy”).

Kartell Museum, Noviglio, Italy - Photo © Simona Pesarini
Kartell Museum, Noviglio – Photo © Simona Pesarini

This book brings out a lively way of discussing, even in great depth, also probing into what are apparently less important areas. Because beyond appearances, beyond the too well known, there is a whole world, which Antonella and Pierluigi have made available to all. Just start reading!