Earth Tone moodboard
Earth Tone moodboard

1 | The parallel lines of two-tone marble of the Lucinato XL cladding by Attila Veress for Luce di Carrara, create a unique visual texture, flat to the touch but versatile for any space Piazza Tomasi di Lampedusa). 2 | The new Giardino floor lamp by Servomuto extends the family of the same name with a new floor-standing version to celebrate the eclectic style of the 1950s with references to the exoticism of the far east (via Olona 25). 3 | Amatta is a chair in resin with curved, flowing, soft and rounded forms, created in 1974 by Roberto Matta issued for the first time by Paradisoterrestre in a limited edition of 1.000 with engraved identification number and artist’s signature. 4 | The back and armrest become one element in the Apper chair, the result of a collaboration between Antonio Rodriguez and laCividina (via Alessandro Manzoni 41). 5 | Atelier tables by Matteo Nunziati for Turri in leather are decorated with buckles that conjure up Italian leather goods. The refined details and top in walnut bring a contemporary and sophisticated style (Hall 3, A09-B10). 6 | The Giano chair from the Acquerello collection by Paolo Castelli, takes inspiration from the myth of Janus, the god with two faces. Available in two versions with structures in walnut or black-stained ash, enhanced with metal details in Brass or Black (via S. Carpoforo 12). 7 | The architectural legs are the focus of the design of the Loom table, designed by Hannes Peer for his debut in the Baxter collection (Hall 9, H10-G09). 8 | The Stipo Bar Poliedro Vasi by Fornasetti is an elegant artisanal piece in handprinted wood with screen printed decorations on a black or white background on the outside and white on the inside (corso Venezia 21A). 9 | Pietre pouf made by Gufram in collaboration with London designers Soft Baroque. 10 | Fratelli Boffi present for the first time the Archi table by storagemilano: monumental and refined, completely clad in inlaid burled oak. A perfect combination of classic architectural forms and the finest cabintmaking (Hall 13, C10).